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The Daily Dot

Tiffany Kelly was the culture editor at Daily Dot. Previously, she worked at Ars Technica and Wired. Her writing has appeared in several other print and online publications, including the Los Angeles Times, Popular Mechanics, and GQ.

Tiffany Kelly

amazon-prime-good-omens-review

‘Good Omens’ is a whimsical fantasy adventure

Eddie Strait is a member of the Austin Film Critic Association. His reviews focus primarily on streaming entertainment, with an emphasis on Netflix, Hulu, Amazon Prime, and other on-demand services.

Eddie Strait

netflix-jailbirds-review

‘Jailbirds’ prioritizes petty drama over insight

netflix-flinch-review

‘Flinch’ is an absurd game show with little at stake

mr-robot

Rami Malek reveals that he’s not great at typing

Audra Schroeder&#8217;s work has previously appeared in the Austin Chronicle, the Dallas Observer, NPR, ESPN, Bitch, and the Village Voice.

Audra Schroeder

i_think_you_should_leave_review_netflix

‘I Think You Should Leave with Tim Robinson’ has an absurd conclusion for every scenario

Tess Cagle is a reporter who focuses on politics, lifestyle, and streaming entertainment. Her work has appeared in the New York Times, Texas Monthly, the Austin American-Statesman, Damn Joan, and Community Impact Newspaper. She’s also a portrait, events, and live music photographer in Central Texas.

Tess Cagle

Netflix_CoisaMaisLinda_review2

Netflix drama ‘Coisa Mais Linda’ explores Bossa Nova clubs and women’s rights in Brazil

Gavia Baker-Whitelaw was a staff writer at the Daily Dot, covering geek culture and fandom. Specializing in sci-fi movies and superheroes, she also appears as a film and TV critic on BBC radio. Elsewhere, she co-hosts the pop culture podcast Overinvested. Follow her on Twitter: @Hello_Tailor

Gavia Baker-Whitelaw

love death robots netflix

‘Love, Death & Robots’ suffers from blatant sexism

netflix-the-order-review

‘The Order’ casts an entertaining spell

Caitlin Moore has been watching anime since a two-episode VHS cost $30. She writes for her own blog, I Have a Heroine Problem; writes, edits, and podcasts for Anime Feminist; and travels to anime conventions doing panels about shoujo manga.

Caitlin Moore

netflix-workin-moms-review-2

‘Workin’ Moms’ is too privileged to be ‘honest’

netflix-carmen-sandiego-review

‘Carmen Sandiego’ reinvents its thieving protagonist as a role model action hero

TV

‘Good Omens’ is a whimsical fantasy adventure

‘Jailbirds’ prioritizes petty drama over insight

‘Flinch’ is an absurd game show with little at stake

Rami Malek reveals that he’s not great at typing

‘I Think You Should Leave with Tim Robinson’ has an absurd conclusion for every scenario

Netflix drama ‘Coisa Mais Linda’ explores Bossa Nova clubs and women’s rights in Brazil

‘Love, Death & Robots’ suffers from blatant sexism

‘The Order’ casts an entertaining spell

‘Workin’ Moms’ is too privileged to be ‘honest’

‘Carmen Sandiego’ reinvents its thieving protagonist as a role model action hero

‘Hi Score Girl’ is a love letter to ’90s fighting games

‘You’ is a disturbing show about a psychopath in the digital age

‘Back Street Girls: Gokudols’ is ugly, inside and out

Netflix teen drama ‘Baby’ is worse than high school

‘Prince of Peoria’ is a quietly progressive multi-cam sitcom