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The Daily Dot

Brenden Gallagher is a politics reporter and cultural commentator. His work has been published by Motherboard, Complex, and VH1. He’s the co-founder of Beer Money Films, an indie production company. Based in Los Angeles, he works in television drama as a writers assistant.

Brenden Gallagher

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Streaming

Dull sci-fi romance ‘Twice Upon a Time’ could use double the action

home_for_christmas_netflix_MAIN

‘Home for Christmas’ brings a needed sharp edge to Christmas rom-com season

Gregory Paul Silber is a Brooklyn-based writer, editor, and critic specializing in comic books and entertainment. Currently a staff writer at The Comics Beat, his work has appeared in AiPT, Shelfdust, the Eisner award-winning PanelxPanel, and elsewhere. He is also a comic book writer, as well as the editor of Scifies: The 2019 Anthology. Follow him on Twitter @GregSilber.

Gregory Paul Silber

tiffany haddish netflix special black mitzvah

NETFLIX-TIFFANY-HADDISH-BLACK-MITZVAH-REVIEW.jpeg

Tiffany Haddish’s physical comedy shines in Netflix’s ‘Black Mitzvah’

Siobhan Ball is a historian, archivist, and journalist. She also writes for Autostraddle and bi.org

Siobhan Ball

broken_netflix_review

Netflix’s ‘Broken’ is a damning look at some of the world’s most popular consumer products

netflix_manwithoutgravity_review2

‘The Man Without Gravity’ is magical realism done right

Kahron Spearman is the community manager for the Daily Dot and Nautilus magazine. He’s also a journalist, copywriter, and host of “Discovery with Kahron Spearman” on KAZI 88.7.

Kahron Spearman

brotherhood_netflix

Netflix prison drama ‘Brotherhood’ fails to critically examine a broken system

Eddie Strait is a member of the Austin Film Critic Association. His reviews focus primarily on streaming entertainment, with an emphasis on Netflix, Hulu, Amazon Prime, and other on-demand services.

Eddie Strait

netflix_Monzon_review

Netflix’s ‘Monzón: A Knockout Blow’ gets winded by its halfway point

netflix_little_miss_sumo_review

‘Little Miss Sumo’ is a poetic and powerful look at female wrestlers in Japan

Audra Schroeder was a senior entertainment writer at the Daily Dot, focusing on streaming, comedy, and music. Her work has previously appeared in the Austin Chronicle, the Dallas Observer, NPR, ESPN, Bitch, and the Village Voice.

Audra Schroeder

netflix_prank_encounters_review

Netflix’s ‘Prank Encounters’ is just ‘Punk’d,’ 15 years too late

netflix_Unnatural_Selection_review

Netflix’s ‘Unnatural Selection’ breaks down the pros and cons of biohacking

Netflix Reviews

Dull sci-fi romance ‘Twice Upon a Time’ could use double the action

‘Home for Christmas’ brings a needed sharp edge to Christmas rom-com season

Tiffany Haddish’s physical comedy shines in Netflix’s ‘Black Mitzvah’

Netflix’s ‘Broken’ is a damning look at some of the world’s most popular consumer products

‘The Man Without Gravity’ is magical realism done right

Netflix prison drama ‘Brotherhood’ fails to critically examine a broken system

Netflix’s ‘Monzón: A Knockout Blow’ gets winded by its halfway point

‘Little Miss Sumo’ is a poetic and powerful look at female wrestlers in Japan

Netflix’s ‘Prank Encounters’ is just ‘Punk’d,’ 15 years too late

Netflix’s ‘Unnatural Selection’ breaks down the pros and cons of biohacking

‘Ghosts of Sugar Land’ explores what happens if your friend joins ISIS

Netflix’s ‘Fractured’ is a generic thriller with a disappearing plot

‘Dragons: Rescue Riders’ is a fun, adorable kids’ fantasy show

‘Abstract: The Art of Design’ remains lush and illuminating in season 2

Jeff Dunham shows the limits of red state comedy in ‘Beside Himself’