Netflix’s ‘Enola Holmes’ sequel has franchising on its mind
In the film, Enola is hired to locate a missing factory worker.
On Nov 10, 2022 by Michelle Jaworski
‘Andor’ episode 10 asks: How does someone become a Rebel leader?
Between Mon Mothma, Luthen Rael and Kino Loy, the show has a lot to say about leadership.
On Nov 9, 2022 by Gavia Baker-Whitelaw
‘Causeway’ is Jennifer Lawrence’s most interesting role in years
The intimate two-hander from Apple TV+ also stars Brian Tyree Henry.
On Nov 4, 2022 by Michelle Jaworski
Breaking down the best line in ‘Andor’ episode 9
‘Never more than 12.’
On Nov 3, 2022 by Gavia Baker-Whitelaw
Review: ‘WEIRD: The Al Yankovic Story’ fully commits to the bit
It hits many of the same beats as ‘Walk Hard’ but is still a delightful skewering of a stale subgenre.
On Nov 3, 2022 by Michelle Jaworski
‘Armageddon Time’s semi-autobiographical self-reflection stumbles
It’s James Gray’s most personal film to date.
‘Andor’ episode 9: Syril Karn is the Empire’s only true believer
Even the other Imperials don’t know how to handle him.
On Nov 2, 2022 by Gavia Baker-Whitelaw
Spearheaded by a great Danielle Deadwyler performance, ‘Till’ takes great care with its subject matter
It avoids many of the pitfalls in similar biopics.
On Oct 28, 2022 by Michelle Jaworski
‘The White Lotus’ season 2: A sexy, annoying trip to Italy
The new season looks at the lies we tell ourselves.
On Oct 28, 2022 by Audra Schroeder
‘Derry Girls’ is among the great teen comedies
It’s a near-perfect balance of tone between its teen comedy and the major conflict looming in the background
On Oct 27, 2022 by Michelle Jaworski
‘Andor’ episode 8 illustrates why this show is so divisive, exploring the psychological strategy of the Empire’s prison system
Thriving on a compelling but almost dialogue-free performance from Diego Luna, it’s the opposite of typical ‘Star Wars’ TV.
On Oct 26, 2022 by Gavia Baker-Whitelaw
‘House of the Dragon’ ends its first season in flames
A queen is crowned, but it comes at a cost.
On Oct 24, 2022 by Michelle Jaworski
Netflix’s ‘Descendant’ is a prescient unveiling of a legacy long suppressed
It’s about much more than a discovered slave ship.
‘Triangle of Sadness’ takes anti-capitalist satire to grotesque extremes
Set on a luxury cruise, this dark comedy feels like a psychological experiment crossed with the gross-out humor of ‘Jackass.’
On Oct 20, 2022 by Gavia Baker-Whitelaw
‘The Watcher’ and the Ryan Murphy-ization of true crime
The series tries to spin its own mystery, Ryan Murphy-style. And that’s the problem.
On Oct 20, 2022 by Audra Schroeder
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