‘Star Trek: Strange New Worlds’ revives the episodic format—and wins big in the process
Uhura, Spock, and Captain Pike co-star in this fun spinoff.
On May 1, 2022 by Gavia Baker-Whitelaw
Hulu’s ‘Crush’ is a queer, teen rom-com that flourishes in familiar ground
The delightful comedy spins-up your favorite high school movie tropes.
On Apr 29, 2022 by Michelle Jaworski
‘Russian Doll’ season 2 review: The Natasha Lyonne-led series leans into time travel
Unfortunately, another character’s storyline feels less considered.
On Apr 21, 2022 by Audra Schroeder
Review: ‘The Northman’ offers a nihilistic twist on ‘Conan the Barbarian’
The director of ‘The Witch’ and ‘The Lighthouse’ turns his hand to blockbuster fare, with mixed results.
On Apr 19, 2022 by Gavia Baker-Whitelaw
‘The Girl From Plainville’ is an inventive retelling of a tragic story—and it almost works
This docuseries at least tries to take a different approach to true crime.
On Apr 1, 2022 by Audra Schroeder
Review: ‘Moon Knight’ is the MCU’s ‘Venom,’ in the best possible way
Oscar Isaac’s funny, eccentric performance is the cornerstone of this new Marvel/Disney+ miniseries.
On Mar 29, 2022 by Gavia Baker-Whitelaw
HBO Max’s ‘DMZ’ is a disappointing adaptation of an epic dystopian comic
This miniseries squanders its acclaimed source material, despite its big names.
On Mar 23, 2022 by Gavia Baker-Whitelaw
Review: Atlanta season 3 is sure to be a trip
Donald Glover’s popular FX series returns after being off-air for four years.
On Mar 20, 2022 by Eilish O’Sullivan
Review: ‘Bridgerton’ delivers another scorching romance in season 2
It’s bolstered by the chemistry between its two main leads.
On Mar 20, 2022 by Michelle Jaworski
SXSW review: Alison Brie vacation comedy ‘Spin Me Round’ spins its focus out of control
Despite an inspired cast of comedy heavyweights, the film seems confused about its own intentions.
On Mar 19, 2022 by Laiken Neumann
‘WeCrashed’ is another empty rise-and-fall story
The Apple series focuses too much on its ‘love story.’
On Mar 18, 2022 by Audra Schroeder
SXSW: ‘Diamond Hands: The Legend of WallStreetBets’ shatters Reddit bro stereotypes
The film is organized chaos, spoken in the voice of the internet.
On Mar 16, 2022 by Grace Stanley
‘Under the Influence’ explores the rot of the creator economy
The film focuses on David Dobrik, but it could be about so many YouTubers.
On Mar 15, 2022 by Audra Schroeder
SXSW review: Halina Reijn’s intense whodunnit ‘Bodies Bodies Bodies’ satirizes the toxicity of 20-something trust-funders
A toxic group of 20-somethings’ ‘hurricane party’ goes awfully wrong.
On Mar 15, 2022 by Laiken Neumann
SXSW review: ‘The Lost City’ is a screwball comedy that leans into its silliness
Sandra Bullock and Channing Tatum have remarkable chemistry.
On Mar 14, 2022 by Tiffany Kelly
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