Milo Yiannopoulos’s latest online venture will make lives of progressives ‘a living hell’
He’s reportedly raised $12 million.
On Apr 29, 2017 by Samantha Grasso
No, Clemson University did not ban Harambe
The university told the Daily Dot the story is ‘not accurate.’
On Sep 27, 2016 by Jaya Saxena
2015: The year we couldn’t take a joke
More platforms, more voices, more outrage.
On Dec 30, 2015 by Audra Schroeder
The fake Fox News outrage over Emily Blunt is everything wrong with America’s culture wars
You don’t have to be wrong for me to be right.
On Sep 16, 2015 by Nico Lang
What I learned from teaching a standup comedy class to college students
Comedy is often found in a broken pattern.
On Sep 12, 2015 by Cece Lederer
The surprising freedom of standup comedy under Chinese censorship
Politics aren’t everything.
On Aug 13, 2015 by Andrea Jones-Rooy
Amy Schumer doesn’t owe you a feminist movie
We think celebrities owe it to us to advocate our personal ideals. News flash: They don’t.
On Jul 30, 2015 by [email protected]
Jerry Seinfeld is wrong—political correctness isn’t ruining standup comedy
PC culture is not the problem. Bad comedians are.
On Jun 19, 2015 by [email protected]
Jerry Seinfeld bemoans the death of comedy over political correctness
‘They keep moving the lines in for no reason.’
On Jun 10, 2015 by Michelle Jaworski
Jerry Seinfeld thinks we shouldn’t be so quick to call things racist or sexist
Get off his lawn!
On Jun 8, 2015 by Audra Schroeder
What’s behind the backlash against ‘over-sensitivity’ on the Internet?
Don’t worry: Trigger warnings aren’t here to ruin your Greek myths.
On May 18, 2015 by Miri Mogilevsky
Patton Oswalt throws a Twitter tantrum in defense of Trevor Noah
The famously anti-PC Oswalt has some words for Trevor Noah critics.
On Apr 1, 2015 by Miles Klee
Why I unfollowed Patton Oswalt—and why you should too
How a great comedian turned into a sad heckler.
On May 8, 2014 by Miles Klee
#SoWhiteOutside is the funniest part of this awful snowstorm
The weather just got personal.
On Feb 13, 2014 by Miles Klee
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