Reddit Gifts: Why giving presents to internet strangers is so much fun
‘Tis better to give … to online strangers.
On Dec 21, 2020 by Matt Silverman
The best TV shows we watched in 2020
This year was made for TV shows.
On Dec 21, 2020 by Tiffany Kelly, Gavia Baker-Whitelaw, Audra Schroeder, Michelle Jaworski
Our top film-watching experiences of 2020
Most of the year, we did not see movies in theaters.
‘The Mandalorian’ drops its biggest cameo yet
You’d know that character anywhere.
On Dec 18, 2020 by Michelle Jaworski
TikTok offered a POV for a cursed year
TikTok in 2020 wasn’t just mindless scrolling.
On Dec 18, 2020 by Audra Schroeder
Review: ‘The Expanse’ reaches new heights with season 5
A spoiler-free look at the new season from one of our favorite sci-fi shows.
On Dec 16, 2020 by Gavia Baker-Whitelaw
‘The Mandalorian’ zooms beyond the grand fight we’re used to seeing play out
Din Djarin takes a few drastic steps to get his son back.
On Dec 11, 2020 by Michelle Jaworski
Irish fantasy tale ‘Wolfwalkers’ is one of the best animated films of 2020
This heartwarming adventure story was inspired by Irish history and folklore.
On Dec 11, 2020 by Gavia Baker-Whitelaw
All the big Marvel announcements from Disney’s 2020 investors event
A ‘Fantastic Four’ movie is on the way!
‘Wander Darkly’ peels back the layers of a fractured relationship
It’s a real tearjerker.
Lulz, irony, and free speech: What really makes 4chan tick?
The birthplace of all memes.
On Dec 7, 2020 by Matt Silverman
In praise of ‘A Knight’s Tale,’ now streaming on Prime—on its 20th anniversary
This 2001 historical action-comedy is a genuinely perfect movie.
On Aug 1, 2020 by Gavia Baker-Whitelaw
What does ‘ACAB’ mean?
The term has become a rallying cry of the Black Lives Matter movement.
On Jun 9, 2020 by Stacey Ritzen
A comprehensive guide to the best Shrek memes on the internet
Shrek is love, Shrek is meme.
On Sep 7, 2018 by David Britton
Revisiting Meatspin, the NSFW site that shocked a generation
You spin me right round baby right round.
On Feb 3, 2017 by John-Michael Bond
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